Wednesday, 14 November 2018

Thakeham in BRM

Thakeham features in December's British Railway Modelling magazine

They've done a good job of presenting the layout feature, with some large photos. I'm rather pleased that my photography was up to full-page prints!

It's an excellent issue for Narrow Gauge and Industrial enthusiasts, with a feature on Chris Donoghue's Compass Point in 009, an Emmet-style GN15 layout, and Six Quarters - a cracking little industrial layout in OO by Oly Turner.

Wednesday, 7 November 2018

The other side...

Following EXPO-NG, there is an untold chapter in the story of Slugworth & Co. Astute readers may have wondered where the track went when it disappeared through the hole in the backscene. I didn't want to give away too much of Joshua's layout before the show, so I haven't yet shown that the layout is in fact two-sided. So, now it is time for a trip "to the other side".


Right from the start this was planned as a double-sided layout (actually Mum's idea, but Joshua loved it as it effectively doubled the scenic length); and if one side was the factory, the other side had to be the other end of the line. Which logically would be an exchange siding.


The SG track is set a little lower than the NG, with a Hornby bufferstop - removing the clips and painting has made it quite acceptable. The wagon came from the 009 sales stand, complete with 3-link couplings, perfect! The shed for storing perishable goods has been posted before, it's plasticard with clear plastic Wills sheets. We fitted a yellow LED in the roof to give a faint glow inside, hinting at the goods inside and illuminating the dirty clear roof panel.


A wider view without trains shows the coal siding, we've used a different point lever this side. The plastic handle kept breaking off so we've replaced it with wire. There's limited detailing here, for a peaceful atmosphere.


Joshua wanted a lot on his layout, the urban (factory) side with lots of detail, but also countryside. The split side approach allowed us to do that, and although this view is only a few inches wide and deep, I think we achieved his aim. The fence and gate is Dapol, and the animals are from Dart Castings (the cows are Merit and are carefully placed to be difficult to see all at once), but Joshua's trees and blending of the static grass really make this scene I think.


A view the other way with Joshua's new loco, bought from the sales stand on Saturday. We need to fit couplings.


Joshua's first loco, a Roco diesel, with his first wagons, rounds the curve at the front. Joshua weathered the loco and wagons, and fitted the appropriate loads to the wagons. After initial concerns about the poor low-speed running of the loco, I was pleasantly surprised how well the loco performed at EXPO, my attention to the pick-ups, a drop of oil, and the graphite rails have helped immensely. It ran smoothly back and forth all day at a realistic pace. The trees are quite effective at disguising the hole in the sky.


Which brings us through the tree-tunnel into the factory yard. This side is deliberately more crowded and busy, the two sides contrasting and complementing each other. Still, it's amazing that each side is just 50cm by about 18cm (the backscene is slightly angled).

Another idea planned from the start is that the layout will become a continuous run. We plan an off-stage extension allowing an semi-circle of track to link the factory front track (through the green gateway) to the corrugated shed. This will provide a fiddle yard track as well as the ability for continuous running when required. There will be updates as we work on this idea.

Thursday, 1 November 2018

EXPO-NG: The layouts

In part 2 of my EXPO-NG report I'll introduce a few of the main attraction layouts. There were lots of layouts there so this is just a few that caught my eye.


Pen y Graig (5.5mm scale, 12mm gauge) by Barrie Johnston had a real wow-factor. The dramatic Welsh scenery is presented in a deep and tall layout, including a working incline.


At the top of the incline the wagons are pushed by a man - yes, the figure moved along pushing the wagon!


It was good to see Richard Holder's model of Launceston (009) after visiting the prototype this summer. This is an impressive layout that really captured the real thing.


Empire (OO6.5) by Peter Smith makes good use of this small scale/gauge in a surprisingly small space. The scenery is excellent, the small locos really well made, but most astonishing of all, Peter uses radio control. These tiny models have a receiver and batteries fitted into them...!


Coleford (009) by John Wilkes is a layout I've seen before, but each time I see something new. A characterful and delightfully detailed off-beat layout.


I did point out to Chris Ford that the lighting on Orne (009) was not especially useful - but this shot seems to benefit from the odd lighting position giving an impression of the evening train. A less-is-more layout and very effective for it.


I just liked this shot of Pyn Valley Railway (O9) by Christopher Payne, which captures the roadside tramway perfectly.


Likewise this shot of A taste of Aber (3mm scale, 6.5mm gauge) by Blair Hobson paints an attractive scene.

Sadly I gather numbers were down again this year, I do hope the organisers find a way to increase numbers and ensure the show continues, as it's a top quality show for both layouts and trade.

There's a load more photos on the Flikr album, I've noted the layout names, scales, and builder, so do enjoy.

Tuesday, 30 October 2018

EXPO-NG: Dave Brewer Challenge

Now I've had time to recover from EXPO-NG I've downloaded my photos. I thought since Joshua and I were in the Dave Brewer Challenge I'd start with those. The challenge was a layout in proportion 50x35 up to that size in cm.


The winner was Toot 'n' Come In (1:32, 16.5mm gauge) by Steve Pearce. An imaginative and detailed model based around an Egyptian tomb excavation. The layout was battery powered with trains on two levels, although they didn't have far to move. Openings in the side revealed the workings in the tomb.



St Petroc Quay (009) by Harry Dawe was one of my personal favourites, it was full of atmosphere. I think we'll see lots more from this young modeller.



Life of a Line (009) by John Wilkes tells the story of a railway from horse-drawn tram, through rise and decay, to rebirth in preservation.



Bw Muldasgrun (Oe) by Christian Danziger & Ronny Rudolph, who had flown in from Germany with the layout in a flight-case. The scene is superbly detailed and featured a moving coaling platform, as well as automatic DCC operation with sound.


Ashen Vale (009) - Rae Haigh


Woody End (009) - Richard Glover. Even smaller than the maximum size.


Vowchurch Slate Quarry (006.5) - James Hilton. The smaller gauge allowed James to fit in several sidings as well as a circuit, with some nicely modelled buildings. The layout was inspired by a story by Brian Clarke. These tiny models are beautifully finished.



Finally of course, Slugworth (009) by Joshua Campbell, with a little help from me!

Sunday, 28 October 2018

On Show

At last the big day arrived, here's Joshua with his layout set up for it's first exhibition at EXPO-NG:

2018-10-27 09.27.04

You can see the effort he made with the presentation - this was important to him, along with the lighting pelmet. We made a simple stand to lift the layout to a better viewing height, which is simply a couple of panels of thin MDF (left over from the baseboard), a piece of ply, and a few lengths of softwood; the layout sits on the cross-members and slightly recessed between the sides while the open back end allows cables and the transformer to be hidden underneath


He wanted the layout name on the front, which we ordered online and was easy to fit. He also designed a Slugworth logo that's on the end of the layout, and put together a "can you find" list to keep children (and a few adults) amused. Finally he set up bowls of jelly beans and chocolate drops - to demonstrate the "produce" of the factory!

All 8 Dave Brewer Challenge entries had made it to the show with completed layouts (that doesn't always happen), and the standard was very high, so at 3:30pm Joshua was keen to see the winner announced so we went to the main hall. It was Steve Pearce, with "Toot 'n' Come In", well deserved for a fine piece of imaginative and well executed modelling. We then headed back to the layout - having briefly left it unattended - but no sooner had we go there than we were told to head back to the hall, where Joshua was given an award for "Junior winner". I've never known that done before, so we were surprised - and Joshua was clearly delighted. Cue proud Dad moment...


The layout attracted a lot of interest and it was nice to see the little squash court hosting the challenge entries was busy most of the day (it is rather out of the way), which helped us forget the numbing cold in that room! Thanks to all those that said hi and nice things about the layout. Good to see many familiar faces and meet a few new ones too.

Thursday, 25 October 2018

It's a sign!

Recent posts on progress with Slugworth have gradually caught up with where we were at - I had got rather behind posting in the summer. The last few weeks have been focused on preparing, painting, and placing the details and figures that bring the scene to life. Joshua really got into the painting, though I got delegated the really fiddly bits!

2018-09-27 20.26.27-1

One thing we felt the factory lacked was an identity - it risked looking bland and anonymous. We decided it needed a sign. Joshua produced a sign on the computer which we printed out in several sizes to see which looked best, we then made the backing and frame to fit it from plasticard and microstrip. The supports were made up from some small H section plastic to look like girders. The frame was painted white to match the lettering.


It looked a little stark initially, so we dusted it with weathering powders - paper, frame, and supports - which toned it all together and disguises the use of different materials.


The completed sign was then stuck to the top of the flat-roof part of the factory, where it adds some visual interest as well as distracting from the low-relief nature of the building. And now there is no ambiguity over the purpose of the factory!


That shot shows a few of the other details added too. So with a few finishing touches completed today we are just about ready for the big day! If you can get to EXPO-NG on Saturday do say hello - and Joshua has a challenge for the visitors too, with rewards!

Monday, 22 October 2018

Uckfield scores again!

Last Saturday I made the trip to Uckfield for the local show, which always manages to have really stunning layouts, so that it feels more like a showcase exhibition than a club show. Perhaps it's the attraction of the exhibitors lunch? Anyway this year was no different.


Let's start with The Yard (7mm scale, 32 & 16.5mm gauges) by Martin Coombs and Friends. A new dual-gauge layout with DCC sound, radio-control lorries, and operating crane, demonstrating transferring loads between gauges and road transport - all hands off. Impressive, nicely detailed and presented too.


I love Christopher Payne's layouts, which all have so much detail and charm. St Pierre et la rue Perrin (1:34 scale, 16.5mm gauge) is full of French atmosphere.


Fintonagh (7mm scale, 21mm gauge) by Dave Holman was a lovely layout based on Irish narrow gauge - the Clogher Valley Railway in particular - and built to scale 3' gauge, to a very high standard. One I'd not come across before, but hope to see again.


A "local" themed layout was Brighton East (EM) by Dave & Matt Smith, based on a might-have-been concept. Everything about the layout - stock, station, background buildings (including the Hospital), and even the bus livery - set the location so effectively the station name-board wasn't needed. Very nicely done.


And finally, you may have come across Hobbiton End (5.5mm scale, 9mm gauge) by Simon Addelsee in Railway Modeller recently. I'm disappointed to see a letter in the latest issue complaining about it being featured - are people really that sad? Anyway, I love it - it may be fantasy, but it's done seriously and to a high standard. And one of my favourite photos didn't even include a train.

I shall have to stop there, but there were many more layouts that I liked - including one by the local high school club - so do have a look through more photos here.